“One thing that has been really amazing about reporting on this industry is that I actually am really inspired by it and get really motivated by it and I’m just so motivated by all the amazing women that are balancing running with jobs and also families. I think every single woman that’s qualifying for the Olympic Marathon Trials right now, and all the women behind them too—sometimes it just comes down to talent, it’s not about work, and I totally respect that—what the women are doing right now specifically is amazing and I think I’ve kind of been like, ‘If they can do this, I can too.’ It’s very tiring and I can always stop. I think that’s important to remember and that’s what I tell myself when I start to get really tired, ‘I don’t have to do this, remember why I’m doing it, it’s because I want to.’ And I think that’s enough to keep me going.”
I had a great conversation with Lindsay Crouse, who is a producer, editor, and writer at The New York Times—and a pretty damn fast marathoner in her own right—for this week’s episode of the podcast. If you’ve been paying any attention to running news the past couple years, or just big headlines in general, you are definitely familiar with Lindsay’s work. Some of her most popular pieces include The Shalane Effect, which she wrote about Shalane Flanagan and the elevating effect she’s had on other women; she broke the piece about how Nike does not guarantee female athletes a salary during their pregnancies or immediately after giving birth; she produced the piece in which Allyson Felix told her story around Nike and pregnancy; and, most recently, she was responsible for the Mary Cain op-ed speaking out about the abuse she suffered under her former coach, Alberto Salazar.
We recorded this episode a couple weeks ago before the New York City Marathon, so the Mary Cain piece hadn’t dropped yet, but we got into plenty of other good stuff, including Lindsay’s own trajectory as both a writer and runner, the biggest takeaways from her reporting that she has applied to her own training, how her experience as a competitive athlete informs her perspective as a journalist, and a lot more.